我們現(xiàn)在都是半機(jī)器人

　　導(dǎo)語(yǔ)：Amber Case說(shuō)，科技使人類(lèi)不斷進(jìn)展，我們成為盯著屏幕、點(diǎn)擊鼠標(biāo)的新種智人。我們現(xiàn)在依賴(lài)「外部大腦」(手機(jī)和計(jì)算機(jī))通訊，記住，甚至活出第二種人生。

　　I would like to tell you all that you are all actually cyborgs, but not the cyborgs that you think. You're not RoboCop, and you're not Terminator, but you're cyborgs every time you look at a computer screen or use one of your cell phone devices. So what's a good definition for cyborg? Well, traditional definition is an organism "to which exogenous components have been added for the purpose of adapting to new environments." That came from a 1960 paper on space travel. Because, if you think about it, space is pretty awkward; people aren't supposed to be there. But humans are curious, and they like to add things to their bodies so they can go to the Alps one day and then become a fish in the sea the next.

　　我想告訴大家，你們其實(shí)都是生化機(jī)器人，但不是你們認(rèn)為的那種生化機(jī)器人。你們不是機(jī)器戰(zhàn)警、不是魔鬼終結(jié)者，但每當(dāng)你們看著計(jì)算機(jī)屏幕，或用手機(jī)裝置時(shí)，就成了生化機(jī)器人。那么，如何妥善定義生化機(jī)器人?嗯，傳統(tǒng)的定義是，一個(gè)有機(jī)體「被加上外部組成，以達(dá)成適應(yīng)新環(huán)境之目的�！惯@出自1960年的太空旅行文獻(xiàn)。因?yàn)椋�想想看，太空相�?dāng)令人不自在，不是人類(lèi)想待的地方。但人類(lèi)很好奇，喜歡在自己身體上加?xùn)|加西，這樣就可以今天登阿爾卑斯山，隔天變成一條海中魚(yú)。

　　So let's look at the concept of traditional anthropology. Somebody goes to another country, says, "How fascinating these people are, how interesting their tools are, how curious their culture is." And then they write a paper, and maybe a few other anthropologists read it, and we think it's very exotic. Well, what's happening is that we've suddenly found a new species. I, as a cyborg anthropologist, have suddenly said, "Oh, wow. Now suddenly we're a new form of homo sapiens. And look at these fascinating cultures. And look at these curious rituals that everybody's doing around this technology. They're clicking on things and staring at screens."

　　因此，我們來(lái)看看傳統(tǒng)的人類(lèi)學(xué)概念。某人到另一個(gè)國(guó)家去，說(shuō)：「這些人多么迷人，他們的工具多么有趣，他們的文化多么奇特。」然后，他們寫(xiě)了一份文獻(xiàn)，也許其他一些人類(lèi)學(xué)家讀了，我們認(rèn)為這獨(dú)具異國(guó)情調(diào)。嗯，正在發(fā)生的情況是，我們突然發(fā)現(xiàn)一個(gè)新物種，身為生化機(jī)器人類(lèi)學(xué)家的我突然說(shuō)，「喔，哇!我們突然成了新種智人，看看這些迷人的文化，看看這些奇特的儀式，大家都在使用這個(gè)科技，他們點(diǎn)擊鼠標(biāo)、盯著屏幕�！�

　　Now there's a reason why I study this, versus traditional anthropology. And the reason is that tool use, in the beginning, for thousands and thousands of years, everything has been a physical modification of self. It has helped us to extend our physical selves, go faster, hit things harder, and there's been a limit on that. But now what we're looking at is not an extension of the physical self, but an extension of the mental self. And because of that, we're able to travel faster, communicate differently. And the other thing that happens is that we're all carrying around little Mary Poppins technology. We can put anything we want into it, and it doesn't get heavier, and then then we can take anything out. What does the inside of your computer actually look like? Well, if you print it out, it looks like a thousand pounds of material that you're carrying around all the time. And if you actually lose that information, it means that you suddenly have this loss in your mind, that you suddenly feel like something's missing, except you aren't able to see it, so it feels like a very strange emotion.

　　我研究這個(gè)有個(gè)原因，與傳統(tǒng)人類(lèi)學(xué)對(duì)照，原因是工具的使用。最初，在千萬(wàn)年前，一切均是物體本質(zhì)的改變，這有助于擴(kuò)展人體本質(zhì)，使我們走得更快、擊打物體力道加重，但卻有限制�，F(xiàn)在我們審視的，不是人體本質(zhì)的擴(kuò)展，而是心智本質(zhì)的擴(kuò)展。因此我們能更快速傳訊，用不同方式通訊。而發(fā)生的另一個(gè)情況是，我們都隨身攜帶小仙女Mary Poppins的技能，可以把任何想要之物放入，它不會(huì)加重，我們可以任意取用。計(jì)算機(jī)內(nèi)部實(shí)際模樣為何?嗯，如果將它打印出來(lái)，會(huì)像是一千磅的物體，你總是隨身攜帶。如果你真的失去這些信息，這意味著你腦海中突然失去這些，會(huì)突然覺(jué)得像是失去什么，只是你無(wú)法看見(jiàn)它，這感覺(jué)很奇怪。

　　The other thing that happens is you have a second self. Whether you like it or not, you're starting to show up online, and people are interacting with your second self when you're not there. And so you have to be careful about leaving your front line open, which is basically your Facebook wall, so that people don't write on it in the middle of the night -- because it's very much the equivalent. And suddenly we have to start to maintain our second self. You have to present yourself in digital life in a similar way that you would in your analog life. So, in the same way that you wake up, take a shower and get dressed, you have to learn to do that for your digital self. And the problem is that a lot of people now, especially adolescents, have to go through two adolescencies. They have to go through their primary one, that's already awkward, and then they go through their second self's adolescence. And that's even more awkward because there's an actual history of what they've gone through online. And anybody coming in new to technology, is an adolescent online right now. And so it's very awkward, and it's very difficult for them to do those things.

　　另外會(huì)發(fā)生的是，你擁有第二個(gè)自我。不論喜歡與否，你開(kāi)始現(xiàn)身網(wǎng)絡(luò)世界。當(dāng)你不在在線時(shí)，人們與你第二個(gè)自我產(chǎn)生互動(dòng)。你對(duì)這件事得很小心，就是讓你的社交前線公開(kāi)，基本上是指你Facebook的涂鴉墻，這樣人們就不會(huì)半夜在上面留言，因?yàn)檫@效用是相當(dāng)?shù)摹Ｍ蝗婚g，我們得開(kāi)始經(jīng)營(yíng)第二個(gè)自我，你必須在數(shù)字生活中，以類(lèi)似模擬你人生的方式展現(xiàn)自我。因此，你以同樣的方式起床、洗澡、著裝，你得為你的數(shù)位自我學(xué)會(huì)做這些。問(wèn)題是，現(xiàn)在有很多人，特別是青少年，得度過(guò)兩個(gè)青春期。他們得度過(guò)原有的，這已令人很不自在;還得度過(guò)第二個(gè)自我的青春期，這令人更不自在。因?yàn)橛袀�(gè)真實(shí)的過(guò)去，是他們?cè)诰W(wǎng)絡(luò)上經(jīng)歷過(guò)的。任何接觸這項(xiàng)科技的新手，立即成了網(wǎng)絡(luò)版的青少年，這令人非常不自在。對(duì)他們來(lái)說(shuō)，做那些事情非常困難。

　　So when I was little, my dad would sit me down at night and say, "I'm going to teach you about time and space in the future." And I said, "Great." And he said one day, "What's the shortest distance between two points?" And I said, "Well, that's a straight line. You told me that yesterday. I thought I was very clever." He said, "No, no, no. Here's a better way." He took a piece of paper, drew A and B on one side and the other and folded them together so where A and B touched. And he said, "That is the shortest distance between two points." And I said, "Dad, dad, dad, how do you do that?" He said, "Well, you just bend time and space, it takes an awful lot of energy, and that's just how you do it." And I said, "I want to do that." And he said, "Well, okay." And so, when I went to sleep for the next 10 or 20 years, I was thinking at night, "I want to be the first person to create a wormhole, to make things accelerate faster. And I want to make a time machine." I was always sending messages to my future self using tape recorders.

　　小時(shí)候，我爸會(huì)在晚上要我坐下，說(shuō)，「我要教你未來(lái)的時(shí)間和空間�！刮艺f(shuō)，「太好了!」有一天他說(shuō)，「兩點(diǎn)間最短的距離是什么?」我說(shuō)，「嗯，是直線，你昨天告訴過(guò)我，我想我很聰明�！顾�說(shuō)，「不，不，有個(gè)更好的解答�！顾�拿起一張紙，在兩側(cè)各畫(huà)上AB兩點(diǎn)，將它折疊在一起，使AB兩點(diǎn)接觸。他說(shuō)，「這是兩點(diǎn)之間最短的距離�！刮艺f(shuō)，「爸爸，爸爸，你怎么辦到的?」他說(shuō)，「嗯，你剛剛扭曲了時(shí)間和空間，這需要非常多能量，就是這么辦到的�！刮艺f(shuō)，「我想試試看�！顾�說(shuō)，「嗯，好吧!」之后一、二十年間，當(dāng)我入睡時(shí)，我在夜里思考，「我想成為第一個(gè)創(chuàng)造蟲(chóng)洞的人，讓事物能加速得更快，我想制造一個(gè)時(shí)光機(jī)器�！刮乙恢笔褂娩浺魴C(jī)發(fā)送訊息給未來(lái)的自己。

　　But then what I realized when I went to college is that technology doesn't just get adopted because it works; it gets adopted because people use it and it's made for humans. So I started studying anthropology. And when I was writing my thesis on cell phones, I realized that everyone was carrying around wormholes in their pocket. They weren't physically transporting themselves, they were mentally transporting themselves. They would click on a button, and they would be connected as A to B immediately. And I thought, "Oh, wow. I found it. This is great."

　　但我上了大學(xué)后，意識(shí)到，這項(xiàng)科技不只是因?yàn)榭尚胁疟徊捎�，它能被采用是因�(yàn)槿祟?lèi)使用它，它是為了人類(lèi)而創(chuàng)造，所以我開(kāi)始研究人類(lèi)學(xué)。當(dāng)我寫(xiě)關(guān)于手機(jī)的論文時(shí)，我意識(shí)到，每個(gè)人口袋里都攜帶著蟲(chóng)洞。他們不是靠身體傳遞自我，而是靠心智傳遞。他們按下一個(gè)按鈕，立即使AB兩點(diǎn)連接。我想，「哦，哇，我發(fā)現(xiàn)了，真棒!」

　　So over time, time and space have compressed because of this. You can stand on one side of the world, whisper something and be heard on the other. One of the other ideas that comes around is that you have a different type of time on every single device that you use. Every single browser tab gives you a different type of time. And because of that, you start to dig around for your external memories -- where did you leave them? So now we're all these paleontologists that are digging for things that we've lost on our external brains that we're carrying around in our pockets. And that incites a sort of panic architecture. Oh no, where's this thing? We're all "I Love Lucy" on a great assembly line of information, and we can't keep up.

　　隨著時(shí)間推移，時(shí)間和空間已因此而壓縮。你可以站在世界的一頭低聲說(shuō)幾句話，在世界另一頭就可以聽(tīng)見(jiàn)。另一個(gè)涌現(xiàn)的想法是，在你所使用的每個(gè)設(shè)備上，都形成不同類(lèi)型的時(shí)間。每個(gè)瀏覽器分頁(yè)提供不同類(lèi)型的時(shí)間，正因?yàn)槿绱耍�你開(kāi)始挖掘你的外在記憶，你將它們遺留在何處?所以，現(xiàn)在我們都是古生物學(xué)家，正挖掘我們遺留在口袋里、隨身攜帶的外在大腦中的東西。這激起了一種恐慌狀態(tài)，哦，不，這東西在哪?我們都是一個(gè)神奇信息裝配在線的《我愛(ài)露西》，但我們跟不上它。

　　And so what happens is, when we bring all that into the social space, we end up checking our phones all the time. So we have this thing called ambient intimacy. It's not that we're always connected to everybody, but at anytime we can connect to anyone we want. And if you were able to print out everybody in your cell phone, the room would be very crowded. These are the people that you have access to right now, in general -- all of these people, all of your friends and family that you can connect to.

　　發(fā)生的情況是，當(dāng)我們把這所有都帶入社交空間，最后結(jié)果是我們老是檢查手機(jī)，所以有個(gè)叫做環(huán)境親密度的東西。這不是說(shuō)我們總是聯(lián)系每個(gè)人，但我們隨時(shí)都可以聯(lián)系想聯(lián)絡(luò)的人。如果能打印出手機(jī)中的每日訊息，這房間將會(huì)很擁擠。這些是你可以立即聯(lián)系的人，一般來(lái)說(shuō)是所有這些人，所有你可以聯(lián)絡(luò)的朋友和家人。

　　And so there are some psychological effects that happen with this. One I'm really worried about is that people aren't taking time for mental reflection anymore, and that they aren't slowing down and stopping, being around all those people in the room all the time that are trying to compete for their attention on the simultaneous time interfaces, paleontology and panic architecture. They're not just sitting there. And really, when you have no external input, that is a time when there is a creation of self, when you can do long-term planning, when you can try and figure out who you really are. And then, once you do that, you can figure out how to present your second self in a legitimate way, instead of just dealing with everything as it comes in -- and oh, I have to do this, and I have to do this, and I have to do this. And so this is very important. I'm really worried that, especially kids today, they're not going to be dealing with this down time, that they have an instantaneous button-clicking culture, and that everything comes to them, and that they become very excited about it and very addicted to it.

　　也有一些心理效應(yīng)隨之發(fā)生。我確實(shí)很擔(dān)心的一點(diǎn)是，當(dāng)總是被所有人包圍在這空間中時(shí)，人們不再花時(shí)間自省，他們無(wú)法放慢及停下腳步，這一切都試圖爭(zhēng)奪他們的'注意力，在古生物學(xué)和恐慌狀態(tài)同時(shí)發(fā)生的交界點(diǎn)上，他們不只是坐在那里。確實(shí)，當(dāng)沒(méi)有外在信息輸入，正是擁有自我創(chuàng)造的時(shí)刻，此時(shí)你可以做長(zhǎng)期規(guī)劃，可以設(shè)法弄清楚自己到底是誰(shuí)。一旦你這么做，就可以了解如何以合理的方式呈現(xiàn)第二個(gè)自我。不只是處理所有迎面而來(lái)的事，哦，我必須做這個(gè)、這個(gè)、或這個(gè)，這是非常重要的。我真的很擔(dān)心，特別是當(dāng)今的孩子，他們還無(wú)法處理這個(gè)尷尬期。他們有個(gè)快速點(diǎn)擊鼠標(biāo)的文化，一切向他們迎面而來(lái)的事都使他們非常興奮、極度上癮。

　　So if you think about it, the world hasn't stopped either. It has its own external prosthetic devices, and these devices are helping us all to communicate and interact with each other. But when you actually visualize it, all the connections that we're doing right now -- this is an image of the mapping of the Internet -- it doesn't look technological; it actually looks very organic. This is the first time in the entire history of humanity that we've connected in this way. And it's not that machines are taking over; it's that they're helping us to be more human, helping us to connect with each other.

　　如果想想這一點(diǎn)，世界并沒(méi)有停住腳步。它擁有自己的外部人造裝置，這些裝置正幫助我們所有人溝通及彼此交流，但當(dāng)你實(shí)際將其可視化，所有我們目前進(jìn)行的連接，是一個(gè)因特網(wǎng)所映射的形象。它看起來(lái)不像科技，事實(shí)上相當(dāng)像有機(jī)體。這在人類(lèi)歷史中是第一次，我們以這種方式連接。并不是說(shuō)機(jī)器正接管一切，而是它們正幫助我們更加人性化，幫助我們彼此聯(lián)系。

　　The most successful technology gets out of the way and helps us live our lives. And really, it ends up being more human than technology, because we're co-creating each other all the time. And so this is the important point that I like to study: that things are beautiful, that it's still a human connection; it's just done in a different way. We're just increasing our humanness and our ability to connect with each other, regardless of geography. So that's why I study cyborg anthropology.

　　最成功的科技開(kāi)了一條路，幫助我們過(guò)生活。事實(shí)上，它最終將變得更具人性而非技術(shù)性，因?yàn)槲覀円恢北舜斯餐瑒?chuàng)造，所以這是我想研究很重要的一點(diǎn)。這些事物是美麗的，仍是一種人類(lèi)連結(jié)，只是用不同方式進(jìn)行。我們只是增加了我們的人性、彼此聯(lián)系的能力，不受地理限制，這就是為什么我研究生化機(jī)器人類(lèi)學(xué)。

　　Thank you.謝謝。

　　(Applause) (掌聲)

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