英語閱讀文章嘻哈風(fēng)

　　下面是一篇有關(guān)嘻哈風(fēng)的英語閱讀文章，一起來看看吧。

　　It seems that hip-hop music is ubiqrutous these days, from popular radio to TV commercials. Whatever your opinion of hip-hop music may be, there is no denying it has impacted pop culture around the world, and shows no signs of slowing down.

　　現(xiàn)在，從大眾廣播到電視廣告，嘻哈音樂似乎無所不在。不管你對嘻哈音樂的看法怎么樣，無可否認(rèn)它已經(jīng)對世界各地的通俗文化造成了沖擊，并且沒有減弱的跡象。

　　Hip-hop brings with it its own unique terminology. " Rap" is the literal action of speaking over a beat.“Hip-hop" is both a kind of music and a culture, which includes four main elements: "emceeing" (rapping over a beat), "deejaying" (spinning records and mixing samples), "breaking" (an acrobatic form of dance), and "graffih art". Along with these are other distinctive. aspects ofhip-hop culture such as language and fashion.

　　嘻哈風(fēng)帶來了一些專有術(shù)語：“說唱樂”是指配合節(jié)奏念文字的動作。“嘻哈”既是一種音樂，同時也是一種文化，嘻哈文化包含4大要素“MC"(隨節(jié)奏說唱)、“DJ”(轉(zhuǎn)動唱片及混音)、“霹靂舞”(一種特技般的舞蹈)，和“涂鴉藝術(shù)_o除此之外嘻哈文化還有其他一些特殊

　　的方面，如語言和服裝時尚等。

　　Hip-hop has its roots in the African traditions of percussion and oral storytelling. Its modernorigins, however, can be found in New York City's crime-ridden South Bronx in the early 1970s. Fed up with the insipid disco of the times, youth who were short on money but rich in ingenuity created a new, dynamic art form: verbally competing and chronfcling life in the ghetto by rapping poetry over a beat.

　　嘻哈文化起源于非洲傳統(tǒng)的打擊樂和口述故事。然而，現(xiàn)代嘻哈則是20世紀(jì)70年代初期來源于紐約市犯罪行為猖獗的南布朗克斯區(qū)。那些口袋空空卻富于創(chuàng)新的年輕人，厭倦了當(dāng)時流行的乏味的迪斯科音樂，便創(chuàng)造出了-一種新的動感十足的藝術(shù)形式：通過配合節(jié)奏念詞的方式，在言辭上相互較量，并且記錄了貧民區(qū)的生活。

　　The person regarded as the father of hip-hop is Kool Herc, a Jamaican who immigrated to New York at age 12. Around 1973, he began deejaying at house parties in the Bronx. To his infectious playlist of R&B, soul, and funk he added the Jamaican customs of "toasting" (talking to the crowd) and "dub talk" (speaking thythmically over a beat).

　　被公認(rèn)為嘻哈之父的庫爾·賀克是牙買加人，他是12歲移民到紐約的。1973年左右他開始在布朗克斯區(qū)的家庭宴會中擔(dān)任DJ。在他主持的節(jié)奏布魯斯、靈歌和方克舞等極富感染力的節(jié)目里，他還加入了“toasting”(對群眾說話)和“dub talk”(跟著拍子有節(jié)奏地講話)等牙買加風(fēng)俗節(jié)目。

　　Hip-hop culture's positive energy was fostered by Afrika Bambaataa, a former gang leader and dj who is regarded as the godfather of hip-hop. His efforts brought together the burgeoning hip-hop community and inspired gangs to battle creatively through rapping and breaking rather than tbrough violence.

　　培養(yǎng)嘻哈文化的正面力量要歸功于曾做過幫派頭目和DJ的阿弗里卡·班巴塔，他被公認(rèn)為嘻哈文化的教父。他不僅努力把迅速發(fā)展的嘻哈音樂團體團結(jié)起來，而且還激勵幫派份子在說唱和霹靂舞上進(jìn)行創(chuàng)造性的互相較量，而不是通過暴力。

　　In the 1980s, as hip-hop became more popular, new off shoots developed. East Coast styles were generally hard-core, with rappers espousing political and social ideals, often from an afro-centric perspective. West Coast hip-hop was heavy on gangster rap, filled with references to gangs, guns, and the inescapability of street life. The West Coast style caught the larger public's imagination, and became wildly popular in urban and suburban areas alike.

　　80年代，隨著嘻哈風(fēng)更加盛行，新的流派發(fā)展起來�？偟膩碚f東岸風(fēng)格是核心力量，說唱歌手通常以非洲為中心的角度，擁護政治和社會理想政治和社會理想。西岸的嘻哈風(fēng)主要是幫派份子的說唱，充滿了關(guān)于幫派、槍枝和不可避免的街頭生活等內(nèi)容。西岸風(fēng)格引起了更多群眾的興趣，所以在都市和近郊地區(qū)都很受歡迎。

　　While some fans complain that today's hip-hop has lost its edge and political message, the genre continues to expand, innovate, and influence. Through its brief history, hip-hop has gone from just two tumtables to samplers and live musicians; from rapping on a four count to increasingly complex verbal gymnastics; and from its roots in the South Bronx to the four comers ofthe world.

　　盡管有些嘻哈迷抱怨說，現(xiàn)在的嘻哈文化中，原有的銳氣和政治信息已經(jīng)沒有了'但這種類型仍在不斷擴展、革新并且發(fā)揮其影響力。在其短暫的歷史中，嘻哈文化從僅有兩個唱機轉(zhuǎn)盤發(fā)展到了混音器和現(xiàn)場演奏的樂手;從4拍子的說唱到越來越復(fù)雜的嘴上功夫，從南布朗克斯的發(fā)祥地到世界的每個角落。

　　"Run" of the East Coast hip-hop band Run DMC once said that when people called hip-hop a fad, they had no idea of the passion that lay behind it. Once considered a flash in the pan, hip-hop is set to continue its path of creation and celebration,bringing more and more converts along for the ride.

　　東岸嘻哈樂團“Run DMC竹中的“Run”曾說：在有些人稱嘻哈只是一種時尚時，他們根本不了解它背后的熱情。一度被視為曇花一現(xiàn)的嘻哈風(fēng)，卻決心繼續(xù)走他的創(chuàng)造與贊美之路，并帶領(lǐng)更多的歸附者上路。

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