楚門(mén)的世界觀后感英文

　　Jim Carrey proved he could play it straight (well, at least a portion of the time) as a family man in Liar Liar, his 1997 comedy blockbuster. With The Truman Show, the elastic-faced, loose-limbed dynamo shows he can also be as serious as needed, in the title role of this imaginative tale of an electronic-age guinea pig. Screenwriter Andrew Niccol, whose directing debut, Gattaca, cautioned against the potential tyranny of genetic advances, again finds reasons for paranoia in technological progress, as an innocent named Truman Burbank becomes the unknowing, all-consuming subject of a 24-hour television network. Niccol's unconventional fable is superbly realized by director Peter Weir (Fearless, Dead Poets Society, Witness), who fashions a disorienting visual style to fit the artifice and pent-up anxiety of Truman's world.

　　Niccol and Weir shrewdly immerse the audience in this oddly cheerful environment, without immediate explanations of what's really going on behind its sunny fa?ade. Truman lives with his wholesome wife Meryl (Laura Linney) in a picture-perfect house in the squeaky-clean island community of Seahaven, where he works for a large insurance firm. His days paby uneventfully, until a series of incidents shake him out of his complacency: A huge piece of lighting equipment falls out of the sky. A homeleman appears who looks just like Truman's dead father. Strange radio transmissions, like stage directions, come out of his car radio. For the first time, Truman begins to suspect that something is rotten in Seahaven.

　　Nearly halfway through the film, we learn the truth: Since birth, Truman has been watched by a phalanx of hidden cameras, his every waking move transmitted to an increasingly addicted, international television audience. Seahaven is actually the world's largest studio set; the sky, the ocean, the stars and the sunsets are fakes, and the weather is controlled by outside forces. What's more, everyone Truman encounters in his daily routine is an actor-even his wife and his best friend Marlon (Noah Emmerich) are on the payroll. This enormous charade is the handiwork of Christof (Ed Harris), a megalomaniacal conceptual artist who sees nothing wrong with the mass-appeal social experiment he's concocted. Christof has kept Truman from puncturing the boundaries of his world by staging a childhood boating accident in which the boy's father apparently drowned; Truman has been deathly afraid of the water ever since. The other key incident in Truman's life was unplanned-a budding romantic affair with a 'college student' who tried to spill the secret of Seahaven, but was suddenly sent away to the island of Fiji (or so Truman believes).

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